The Housemaid by Freida McFadden - 3.5/5

I really enjoyed this one. The pacing is brilliant, and I flew through it without a single dull moment. The concept is clever, and McFadden’s tone suits the thriller genre perfectly, sharp, direct, and built to create tension.

What stood out most was how the main character experiences her dread and distress. When we’re scared or confused, our reactions are immediate, and the writing reflects that. It makes the story feel intense and urgent, as though you’re living it alongside the MC.

I wasn’t completely shocked by the twist, but it didn’t take away from my enjoyment. The small clues and extra details kept me nervous and eager to uncover more, which made the payoff even more satisfying.

The idea is original (and clearly strong enough to inspire a film adaptation). Although I usually gravitate towards more expressive, stylised writing, this genre doesn’t aim for that, so it isn’t a fair criticism. With only a small cast, the tight pacing keeps the story moving, and Millie’s voice, addled, disoriented, yet sharp, is perfect for the story.